10,835 Royalty-Free Audio Tracks for "Of Music"

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 (kompletterande inspelningar 1959) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 58/12126:34:10

Sveriges Radios folkmusikinspelningar. Dalaresan 1954 Dokumentatör: Matts Arnberg Instrument: Fiol Radiotjänsts ursprungliga produktionsnummer: B/43.157-58:6:2

Sveriges Radios folkmusikinspelningar. Värmland/Dalslandsresan 1951 Dokumentatör: Olof Forsén, Qvitt Holmgren (Radiotjänst) Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 51/14284:5:17

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 (kompletterande inspelningar 1959) Dokumentatör: Matts Arnberg Instrument: Röst (sång)

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 (kompletterande inspelningar 1959) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 58/12126:37:4

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11869 S:13:3

Sveriges Radios folkmusikinspelningar. Skåneresan 1961 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 61/M/9378:1:5

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 (kompletterande inspelningar 1959) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 58/12126:22:9

Ludwig van Beethoven - Concerto for Piano and Orchestra no. 4 in G major - 1. Allegro moderato (Wilhelm Kempff, Ferdinand Leitner, Berliner Philharmoniker, 1962)

This is a recording i ade of my drum kit back in 2014 after receiving a new snare drum. Note that the head that came on the snare has since been replaced, so a new recording may be in order at some point.

Sveriges Radios folkmusikinspelningar. Hälsinglands- och Härjedalsresan 1960 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MT 60/120:13:3

Sveriges Radios folkmusikinspelningar. Ålandsresan 1962 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 62/M/6247:9:4

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 (kompletterande inspelningar 1959) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 58/12126:30:5

Sveriges Radios folkmusikinspelningar. Edseleresan 1963 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 63/M/6339:3:4

Sveriges Radios folkmusikinspelningar. Folkliga visor från Frostviken (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11696S:26:7

Sveriges Radios folkmusikinspelningar. Edseleresan 1963 Dokumentatör: Matts Arnberg, Märta Ramsten SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 63/M/6207:7:4

Sveriges Radios folkmusikinspelningar. Edseleresan 1963 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 63/M/6339:2:11

Sveriges Radios folkmusikinspelningar. Färöarnaresan 1959 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: M59/12528:25:1

Sveriges Radios folkmusikinspelningar. Norrlandsresan 1962 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 62/M/6302:3:9

Sveriges Radios folkmusikinspelningar. Östgötaresan 1960 Dokumentatör: Matts Arnberg Instrument: Fiol Radiotjänsts ursprungliga produktionsnummer: MT 60/249:1:6

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 (kompletterande inspelningar 1959) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 58/12126:19:5

Sveriges Radios folkmusikinspelningar. Hälsinglands- och Härjedalsresan 1960 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MT 60/120:19:1

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11869 S:1:1

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 (kompletterande inspelningar 1959) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 58/12126:20:11

Sveriges Radios folkmusikinspelningar. Värmland/Dalslandsresan 1951 Dokumentatör: Olof Forsén, Qvitt Holmgren (Radiotjänst) Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 51/14284:6:11

Sveriges Radios folkmusikinspelningar. Hälsinglands- och Härjedalsresan 1960 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MT 60/120:20:7

Sveriges Radios folkmusikinspelningar. Färöarnaresan 1959 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: M59/12528:14:4

Sveriges Radios folkmusikinspelningar. Edseleresan 1963 Dokumentatör: Matts Arnberg, Märta Ramsten SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 63/M/6207:11:1

Sveriges Radios folkmusikinspelningar. Hälsinglands- och Härjedalsresan 1960 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MT 60/120:12:2

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11869 S

Sveriges Radios folkmusikinspelningar. Edseleresan 1963 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 63/M/6339:1:10

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 (kompletterande inspelningar 1959) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 58/12126:22:12

Sveriges Radios folkmusikinspelningar. Värmland/Dalslandsresan 1951 Dokumentatör: Olof Forsén, Qvitt Holmgren (Radiotjänst) Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 51/14284:6:16

Sveriges Radios folkmusikinspelningar. Hälsinglands- och Härjedalsresan 1960 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MT 60/120:12:6

Sveriges Radios folkmusikinspelningar. Ålandsresan 1962 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 62/M/6247:7:6

These short files are random selections from a 9min composite audio file i put together from an accidental recording made when i left my sony camcorder on in my studio. They are part of the same series posted elsewhere on thefreesoundproject site titled "accidental recordist". There is some hiss/background noise which is part of the street front urban scene of my studio. There are two chimes - one low pitch constructed of four aluminium tubes and wooden clapper (gift) and the high pitch one of small stainless steel discs (purchased in maui from craft shop). I did some basic cleanup of low level background noise and applied plus one level of loudness using adobe soundbooth cs3 to get some clarity.

Http://i. Imgur. Com/2vmzp1i. Jpg. Recorded on the east side of south wabash avenue close to the intersection of wabash and east harrison street, in the south loop area of chicago, on 7/20/2013. After recording trains crossing the adjacent tracks i turned the microphones southwest towards the intersection of harrison and wabash. Traffic was heavy and drivers were frequently blowing their horns at each other. A couple of vehicles playing loud music stop at the light. Time of recording was 5:57pm. Weather was warm, in the 80s. Recording details: 2 audio technica at4022s in rycote windshields > sound devices 302 mixer > tascam dr-40 recorder.

Door to stairwell opens and closes and someone walks up two sets of stairs, the first one slighty faster than the second. Then another door is opened and the walker enters an office where music is playing very softly and there's a bit of an office din. The office portion can also sound like entering a hotel lobby or outer waiting area of a symphony orchestra concert. The stairwell is concrete and metal. It's very echo-y. Recorded on a samsung galaxy s3.

24 bit sample, direct to sound card, volume adjusted to remove peaks. . . Sound is a long recording of static and crackling noises with random notes and music from a circuit bent musini toy. I honestly don't know if the static sound (activated with two body contacts) is classified as "white" or "pink" noise, but i really like the sound of it! a plethora of crunchy, crispy, noisy snippets to transform into a drum kit or something like that!.

This is the sound of a snare drum after i added reverb to it and slowed it down about -81 percent. By the way, this morning, i purchased a very interesting book entitled "harmonograph: a visual guide to the mathematics of music" by anthony ashton. I haven't read much of it yet, but it is explaining how eye-pleasing shapes can be created by utilizing vibrations and a harmonograph. I think you should check this book out. Made with audacity.

These recordings were made during a location-scouting trip i took some time ago to southern germany, where we had a look at some cathedrals to shoot a documentary. I took the time to record a few atmos with my handy h2. . . This is a very touristy sort of restaurant in the center of the historical town of speyer, featuring people talking in various languages, restaurant noises and, last but not least, no background music!.

This is a simple recording of open air white noise of a quite room. I've used this in quite digital passes in some of my original music to help make the digital instrument sound a little less sterile. This is a full unedited take. You will want to crop the start and end sections so you don't here me cutting the recorder on and off ect. I hope you can use this if you need it!.

There is a new freeware program called splitte. Aithat will take any piece of music and extract parts from it. It is highly inaccurate when trying to really accuratelysurgically remove, say, bass, drums, guitar or vocal tracks,but it creates some really trippy artifacts. All of these sample were from a live jazz tune that we were playing. The results of splitter splitting the tracks were really weird and ethereal. I have no affiliation with splitter. Ai, by the way, i just stumbled on it thisweek.

High quality. All kind of male fighting sounds + some additional sounds in one go in a wav file, some voices are louder than the others but they're easily adjustable. Can be separated with a software such as audacity. Copyright free, credit is optional. Can be used in all of ur projects from music to video games, videos, all kind of media and anything related, sample packs, etc. . . Or in anything u want, commercial or non-commercial.

Pasquale Amato's April 16, 1914 Victor Records recording of the Te Deum from Giacomo Puccini's Tosca. Sung at the end of Act I, this scene in fact details the evil priest Scarpia's plans to corrupt and have his way with Tosca, while the chorus goes about seeking redemption. Victor 88489 Pasquale Amato (1878-1942), baritone; Metropolitan Opera Chorus Tosca - Te Deum Mat. C-14715-2 Rec. April 16, 1914 Digital Transfer produced by Tim Ecker for the Internet Archive.

A tense but pretty still athmosphere created with a number of tools by me. Got some subtle movement in it and consists of several major parts. If you need a particular section of it, then use volume, proximity vst and reverb automation to smooth edges out. You can listen to my music at http://vospi. Com/.

The reconstruction of the harmonica1. Wav. This sound comes from freesound with license creative commons 0. I've analyzed it with the models_gui of the sms-tools repository of the audio signal processing for music applications course from the university pompeu fabra. They told me to use one sound for my week 7 assignment and to make some analysis and synthesis on it. I do not know where they took it. For more information ask xavier serra. Https://www. Freesound. Org/people/swapnil_gt/sounds/255115/.

The reconstruction of the harmonica1. Wav. This sound comes from freesound with license creative commons 0. I've analyzed it with the models_gui of the sms-tools repository of the audio signal processing for music applications course from the university pompeu fabra. They told me to use one sound for my week 7 assignment and to make some analysis and synthesis on it. I do not know where they took it. For more information ask xavier serra. Https://www. Freesound. Org/people/swapnil_gt/sounds/255115/.

The reconstruction of the harmonica1. Wav. This sound comes from freesound with license creative commons 0. I've analyzed it with the models_gui of the sms-tools repository of the audio signal processing for music applications course from the university pompeu fabra. They told me to use one sound for my week 7 assignment and to make some analysis and synthesis on it. I do not know where they took it. For more information ask xavier serra. Https://www. Freesound. Org/people/swapnil_gt/sounds/255115/.

A la Nanita Nana, is an eighteenth-century Spanish Christmas carol here performed by the chorus of U.S. Army Band "Pershing's Own", led by Colonel Thomas Rotondi, Jr. (Leader & Commander) and CSM Debra L. McGarity (Command Sergeant Major) c. 2010. It is done bilingually, first in Spanish, then in English. The English translation appears to have been done in house by the Army, as I can find no evidence of any other usage. CSM Debra L. McGarity